To Shoot an Elephant global screenings in the Arab world
The team from “To Shoot an Elephant” , the award-winning CC-licensed documentary directed by Alberto Arce and Mohammad Rujeilah, organized a global screening of the documentary last January 18, 2010.
The campaign, called “Global Screening Global Screaming”, was coordinated through the documentary’s community website and has inspired 240 screenings worldwide, from Venezuela to Thailand from the US to India. More will be organised in the next months, in different countries and locations.
The response of the Arab world community to this event has been significant. I would just like to bring some examples about the incredible community participation and enthusiasm that this event has registered throughout the Arab Region.
Royal Film Commission in Amman, Jordan, has screened “To shoot an elephant” with around 100 people attending and hosting a phone live debate with Mohammad Rujeilah, a Gaza citizen and one of the two directors of the documentary.
With the kind cooperation of Hisham Morocco was able to screen the movie at the Ecole Hassania des Travaux Publics in Casablanca, as well as France which hosted two screenings, one in Poitiers and the other one in Paris.
The latter was organised by Regarde à Vue an association of social media activists who organises training and workshops mostly in Palestine and share all its works under Creative Commons.
Thanks to Hussein , Bahrain screened “To shoot an elephant” at the Bahraini Medical Society. Pictures of the event can be found here: http://community.toshootanelephant.com/ar/node/268?quicktabs_2=1
The virtual world of Second Life also had its “To Shoot an Elephant” at the Galleria Szczepanski cinema thanks to Movieoonline and 2LifeCast
You can have a look at some beautiful SL pictures of the event here http://www.flickr.com/photos/samayasilberman/sets/72157623244931668/
It seems that the SL residents are asking for more screenings, the next one should be February 8, so watch out!
I`d like to thank all the people that have made all these worldwide events possible, and not only in the Arab world.
“To shoot an elephant” is available for free download under Creative Commons license at http://thepiratebay.org/torrent/5249337/To_shoot_an_elephant.
ps For those of you who are in Rome, tonite Forte Prenestino is screening the film at 21.30 local time info at http://www.forteprenestino.net/index.php?option=com_content&task=view&id=564&Itemid=1
Another “honeymoon”..Obama and the Arabs..seems to be over
I’d like to re-publish this interesting post coming from who writes on the Shami Hamid, Deputy Director of the Brooking Center in Doha,Huffington Post commenting on why the honeymoon between Arabs and Obama ” is really over now”.
This echoes other comments which recently appeared on The Washington Post and on The Guardian saying more or less the same. And Al Jazeera English’s “LIstening Post” is covering the issue by devoting a whole series of episodes to the topic “Obama and the media”.
When we published the book “Un Hussein alla Casa Bianca” (January 2009) tackling the issue of the “Arab dream” on Obama there was a “realistic skepticism” among the majority of the people and countries we surveyed. After one year of presidency it looks like Faisal Qassem’s argument in one of the episode of “Al Ittijah al moakis” is going to win over Arabs’ hearths and minds: the problem is not Obama himself as an individual, the problem is the structure of politics itself. To tell this with Hamid’s words: “.. political structures matter more than individuals – and the American system seems wedded to a fundamentally misguided approach toward the Middle East”.
Obama and the Arab World: The Honeymoon Is Really Over Now
There’s no doubt that there’s been growing Arab disappointment with President Obama, but I’m beginning to sense the disappointment – both understandable and expected – turning into something altogether more worrying. Part of the problem is that many Arabs, including even some Islamists, believed in Obama almost as much as Americans did.
I had lunch the other day with three Western-educated Arab liberals, the kind of people who were optimistic, if cautiously so, not too long ago. The conversation turned to U.S. policy and I felt like I was back in the Bush era, having to muster some kind of defense for my country’s actions. Before, under Bush, I could always say: “wait, the Bush administration doesn’t represent what America and Americans stand for. Don’t worry, we’ll vote him out of office and elect a Democrat…” Now, I’m not exactly sure what, if anything, I should say. I’m not in any mood right now to put positive spin on Obama’s first 12 months or on what Democrats can offer America and the world. The gap between expectation and reality has been so great so as to almost defy characterization.
Arab critics of U.S. policy are likely to draw several conclusions from Obama’s first year in office (whether or not these perceptions are accurate is beside the point. Perceptions matter as long as people think they’re accurate):
- That it doesn’t quite matter who the American President is. Obama might be great. He might care about Arabs and their grievances. But political structures matter more than individuals – and the American system seems wedded to a fundamentally misguided approach toward the Middle East.
- The election of Obama – with his evident desire to build bridges with the Arab world, not to mention his Muslim family and middle name – was the best possible outcome that Arabs could have hoped for. But, even with the best possible outcome, U.S. policy is still pretty bad.
- America has a congenital problem with advancing wonderful soaring rhetoric while, at best, featuring some roundly unimaginative policymaking and, at worst, furthering policies in the Middle East that are downright destructive.
- America’s Middle East policy is irredeemable. It is time to stop hoping that America will change.
People hated Bush but, at least their hate seemed to imply a recognition of America’s centrality in the Middle East, and that America, due to its overwhelming influence and power, would have to change in order for the Middle East to change. The anger toward Obama is different in that it is accompanied by a sort of resignation and a coming to terms with an America that appears increasingly beside the point. The United States is in steep decline, so some are saying, and instead of hoping it will change, it might be better (and more realistic) to hope that it falls.
by Shami Hamid , Deputy Director Brookings Doha Center
Follow Shadi Hamid on Twitter: www.twitter.com/shadihamid
Al Waleed and Murdoch’s honeymoon in the Middle East
14th January -as many financial newspapers report- the Saudi Prince Al Waleed Bin Talal and the Australian media moghul Rupert Murdoch met up in New York to discuss about the future of their investments, particularly in the media sector. The potential deal between the two businessmen seems to be related to Al Waleed’s TV giant, Rotana Media, who Newscorp is told to be willing to acquire 10% later this month.
Al Waleed and Murdoch are old friends and business partners, as the Saudi Prince is the only non-member of the Murdoch family to own a consistent stake of 7% in the family jewel, media giant NewsCorp. They have also been long time friends with Silvio Berlusconi, at the time (1995) when Al Waleed was advised by the French Tunisian businessman Tarek Ben Ammar to invest in Berlusconi’s Mediaset conglomerate. Now the honeymoon between Berlusconi and Murdoch is clearly over due to the fight and fierce competition over the Italian pay TV market, but Murdoch seems to be still in love with Al Waleed, the trusted friend and ally of long time ago.
Al Waleed is reported to have rescued Murdoch at the end of the 90s when Newscorp was facing some difficulties. At the time Al Waleed’s Kingdom Holding both a significant stake in the company. Now Murdoch is told to give the favour back since the Prince’s big investment in Citigroup has resulted to be a big problem due to the financial slowdown, even if he is reported to believe that “the worst is behind“.
Murdoch is also truly interested in the Arab Television market which has got lot of potential, should the two major problems it is undergoing be solved. Those problems are piracy and lack of advertising investments for a potential market of more than 300 millions people sharing the same language.
Rotana Media,fully owned by the Prince, owns the TV rights to more than 2,000 Arabic movies together with the world’s largest Arabic language music library, according to Zawya.com. This is a great potential for a Region that loves music and entertainment, but it is at the same time largely affected by piracy and copyright infringement. This huge library is not profitable yet. But Murdoch’s expertise with piracy fighting all over the world could result in a great help for Murdoch.
At the same time, an investor like him could bring much more “trust” in the Region, and multinationals advertisers could be less “worried” to put their money in a black hole, where no professional trusted independent measurement systems have been established so far.
Rotana already hosts News Corp.’s Fox channels in Saudi Arabia via its television network and it controls the majority stake of LBCSat, the Lebanese entertainment channel who is higly followed by Saudis and Gulf people, the richest part of the Arab market.
The Murdoch-Rotana connection happens during a very peculiar time of Arab Television markerts, when also the two biggest pay TV operators, Showtime Arabia and Orbit have decided to merge. Concentration of media capitals seem to have started even in a Region like the Middle East which has been mostly touched by the opposite phenomenon, i.e. proliferation of channels and media outputs.
But time has come as the Murdoch-Al Waleed deal clearly shows.
Harsher fight to piracy and copyright infrigement together with new business models of individual media consumption are to be expected even in the Arab world.
Al Jazeera adds new footage under Creative Commons
Al Jazeera has started to add more footage to its Creative Commons Al Jazeera online repository. The footage is about daily life in Iraq and it seems more will be added, concerning other countries, very soon. The footage is availale under CC BY license, the most “lenient” CC license which allows people to download, share, remix, translate, even re-sell under the only condition of attributing the source.
To shoot an elephant live on Second Life today!
Thanks to Movieoole and 2LifeCast the Creative Commons released documentary “To shoot an elephant” by Alberto Arce and Mohammad Rujeilah will be broadcasted today live on Second Life at 22 pm Central European Time at the Galleria Szczepanski cinema . Press release here below (Italian only).
Grazie al supporto di Movieoole e 2Lifecast il documentario rilasciato sotto licenza Creative Commons “To shoot an elephant” di Alberto Arce e Mohammad Rujeilah verrà proiettato in diretta alle 22 ora italiana presso il cinema virtuale di Seconf Life Galleria Szczepanski. Ecco di seguito il comunicato stampa.
Buona visione, e grazie a @sennet & team per aver reso possibile la proiezione SL!
18 gennaio 2010: proiezione globale
del film-documentario su Gaza
“To shoot an elephant”
2lifecast e Moovioole partecipano alla distribuzione
… dopo, naturalmente, ci furono discussioni infinite circa l’uccisione dell’elefante. Il proprietario era furioso, ma era solo un indiano e non poteva fare niente. Inoltre, sul piano giuridico avevo fatto la cosa giusta, perché un elefante pazzo deve essere ucciso, come un cane pazzo, se il proprietario non riesce a controllarlo.
(George Orwell, Uccidendo un elefante)
“To shoot an elephant” è un resoconto realizzato da testimoni oculari presenti nella Striscia di Gaza durante i bombardamenti effettuati dall’esercito israeliano lo scorso dicembre, nel corso dell’Operazione “Piombo fuso”: 21 giorni a sparare sull’elefante, documentati da Alberto Arce e Mohammad Rujeilah.
Incalzante, sporco, da far perdere il sonno, immagini che fanno rabbrividire raccolte dagli unici stranieri che hanno deciso di rimanere -e ci sono riusciti- all’interno delle ambulanze nella striscia di Gaza, con i civili palestinesi.
Il film-premiato lo scorso novembre al Festival dei Popoli di Firenze- sta organizzando il 18 gennaio 2010 un “global screening day” in tutto il mondo, in occasione dell’anniversario dei bombardamenti israeliani a Gaza. Arce- consapevole del problema “distributivo” di cui le immagini su Gaza hanno sofferto e tuttora soffrono- ha deciso di rilasciare il suo film sotto licenza Creative Commons “attribuzione condividi allo stesso modo” CC BY SA per permettere a chi interessato, nel mondo intero, di scaricare legalmente il film, copiarlo, proiettarlo in pubblico, distribuirlo, tradurlo, alla sola condizione di citarne la fonte originaria e rilasciare il prodotto finale sotto lo stesso tipo di licenza.
2lifecast e Moovioole hanno deciso di supportare la diffusione del film, organizzando una proiezione congiunta
- in Second Life, Cinema della Galleria Szczepanski, ore 22.30 (http://slurl.com/secondlife/Galleria/84/96/22)
- sul web, Cineteca Moovioole, ore 21 e ore 23 (http://www.moovioole.it/eventi/).
2lifecast e Moovioole costituiscono insieme un circuito distributivo e di comunicazione integrato e crossmedia, composto da siti web (il sito di Moovioole e una serie di blog), una sala a Milano (http://www.creaticitygate.org) e una sede virtuale in SecondLife (http://slurl.com/secondlife/Galleria/84/96/22), ed è aperto a tutti gli autori che producono fiction, animazione, live e desiderano condividere i propri contenuti in licenza Creative Commons. Condividiamo pertanto la scelta distributiva operata da Arce e Rujeilah, volta a superare logiche distributive che rischiano di oscurare o mettere a tacere contenuti importanti, e offriamo loro il nostro contributo nelle modalità che ci sono proprie.
Maggiori informazioni sul film sono disponibili nei siti:
http://mediaoriente.com/2010/01/09/to-shoot-an-elephant-su-gaza-proiezione-globale-il-18-gennaio/
Public screenings of “To shoot an elephant” to be organised worldwide on 18th Jan
The producers of the award winning documentary film “To shoot an elephant” are calling for a global screening of the film shot during the December 2008 Israeli attack on Gaza. The global screenings are self organised and grassroot. All you have to do is going to their community website , read the rules and do it yourself.
The documentary can be legally downloaded, shared, translated, screened, copied under the only condition of attributing the source and releasing the derivative product under the same license. Alberto Arce and Mohammad Rujeilah, the two directors, have decided to release the film under the Creative Commons Attibution Share alike license in order to have the images circulating and being seen by as many people as possible.
The Gaza situation has not been improving since the Israeli bombings “ended”: on the contrary, the population is still suffering and there are many other problems as pointed out by the (failed) Gaza Freedom March where Egypt played the most important role in the failure of the demonstration.
Since it is so difficult to go to Gaza and enter it, since it is so hard to get access to images shot there and talk to people over there, this film is even more important.
As many screenings as possible should be encouraged, particularly in the Arab world, which is still so close and so far to Gaza and its people. Arabs are still Arabs’ worst enemies as the last, extremely sad Egypt-Gaza episode showed to the entire world.
Global screenings are to be held worldwide on 18th January and are listed here.
“To shoot an elephant” su Gaza, proiezione globale il 18 gennaio
“To shoot an elephant”, il film documentario di Alberto Arce e Mohammad Rujeilah -premiato lo scorso novembre al Festival dei Popoli di Firenze- sta organizzando un “global screening day” in tutto il mondo in occasione dell’anniversario dei bombardamenti israeliani a Gaza.
Le immagini del film sono una delle poche testimonianze visive di quanto successo a Gaza nel dicembre 2008 e gennaio 2009, quando Israele lanciò l’offensiva sulla Striscia nel silenzio quasi completo dei media. A quel tempo, soltanto il corrispondente di Al Jazeera trasmetteva, via TV e social network, immagini completamente ignote al resto del mondo, ignaro, indifferente o semplicemente “impedito” da Israele a mandare giornalisti sul posto per documentare quando accadeva. Alberto Arce, spagnolo, era lì a Gaza e le immagini di “To shoot an elephant” sono la sua testimonianza.
Arce, consapevole del problema “distributivo” di cui le immagini su Gaza hanno sofferto e soffrono ancora, ha deciso di rilasciare il suo film sotto licenza Creative Commons “attribuzione condividi allo stesso modo” CC BY SA per permettere a chi interessato, nel mondo intero, di scaricare legalmente il film, copiarlo, proiettarlo in pubblico, distribuirlo, tradurlo, alla sola condizione di citarne la fonte originaria e rilasciare il prodotto finale sotto lo stesso tipo di licenza.
Così facendo, Arce e Rujailah stanno diffondendo il loro film in tutto il mondo, e la comunità che gli si è creata attorno sta organizzando per il prossimo 18 gennaio una proiezione globale, in contemporanea in diverse città, con lo scopo di commemorare Gaza e invitare il mondo a non dimenticare -abbiamo visto tristemente, in occasione della Gaza Freedom March e del suo misero fallimento a causa dell’”ostilità” egiziana, quanto il problema Gaza sia ancora attuale e di difficile risoluzione-.
Questo vuole essere anche un appello per la comunità palestinese in Italia, e per tutti gli italiani, organizzazioni, associazioni, individui a cui sta a cuore la situazione di Gaza e della Palestina, ad organizzare proiezioni di “To shoot an elephant” per il prossimo 18 gennaio, e farle diventare occasioni di dibattito pubblico su quanto avvenuto e tuttora avviene a Gaza.
I film vanno visti anche fuori dai festival e le immagini -soprattutto immagini come queste- devono circolare. E perciò sono doppiamente grata ad Alberto e Mohammad non solo per aver girato questo film, ma anche per averlo fatto circolare sulla rete, liberamente, legalmente, a dispetto dell’”esclusiva” che ancora molti festival chiedono -anche quelli piccoli e piccolissimi- non rendendosi conto che il cinema va ben oltre il suo schermo.
Per chiunque voglia organizzare una proiezione di “To shoot an elephant” qui ci sono tutte le informazioni: http://community.toshootanelephant.com/global-screening
Il film è scaricabile legalmente: http://thepiratebay.org/torrent/5249337/To_shoot_an_elephant
Gaza and the difference between a “true humanitarian” and a “rabble-rouser”
Today Egypt taught us the difference between an “humanitarian” and a “rabble-rouser”. Thanks to Egypt we learned that among over 1400 people who gathered for the Gaza Freedom March only 100 were true “humanitarians”. And we have to thank Ms Mubarak to have -at least- helped those 100 “true humanitarians” to be able to travel to Gaza. Today I saw one of the saddest pages of inter-Arab relations. Too sad to realise that Arabs don’t need Israel to have an “enemy”..they do already quite well among themselves..
This is an email I got from an American friend of mine who’s there for the Gaza Freedom March and who won’t be in Gaza cause, despite she was judged “a true humanitarian”, she decided to stay with the “rabble-rousers”…
“Situation very volatile. Apparently there is a TIMES article-haven’t seen. Code Pink negotiated an agreement with egyptian govt. bilaterally for two buses to take 100 people to Gaza (Mrs. Mubarek’s intervention). This completely split the international group. Egyptians had insisted that no one from France and Italy could go (the French have been encamped outside their embassy for days, under police guard.) Also no one from a Middle Eastern country. The New York delegation met and decided not to send anyone. So did south Africans, Canadians, etc. Meanwhile E. Foreign Minister announced that they had chosen 100 people who were true humanitanians and forbidden the rest, who were international rabble-rousers. We three were opposed; all or nobody. At 7 this morning we went to see the buses–the scene was heartbreaking. People got on the buses, then after a call from the Palestinians within Gaza saying the buses should not go, many got off. This continued for at least two hours, with police surrounding all the time. (You had to beg to get out of the area.) Code Pink was determined the buses would leave, but when they finally left they continued many fewer than 100. Meanwhile, the rest of us are meeting, meeting to decide what is next. Surely a march of some kind tomorrow. The leaders are the South Africans and the French, but also some others, including Americans such as Felice Gelman. We are certainly not going to Gaza, but we are seeing the birth of a new world-wide movement.
Press is very important. We’ve had press from all over the world on the fact that Egypt has kept the group from going to Gaza. Important now to make sure press understands that whatever the Egyptians say officially is all lies.
We took part in a rally last night at the headquarters of the Journalists Union. More about that later..”.

I’ve noticed that most computers default to the .CN site in internet cafes, so this could hypothetically happen quite often if Chinese users try to go to Google and they type in the name with one less “O.”










