Archive for personal

Silence

I havent been writing that much in the past few months cause sometimes silence is golden. I`ll probably start to post again now, since it is Ramadan and lots of things is happening. Musalsalat can be a good way to reflect on what is happening and why. Plus, I`ll try to add some features on “user generated ” musalsalat which I`ve found online and which sometimes are far more interesting than the ones produced for the TV screen.

Non ho scritto molto negli ultimi mesi perche qualche volta il silenzio e` d`oro. Probabilmente ricomincio a postare adesso, siccome e` Ramadan e sta succedendo di tutto. Le musalsalat possono essere un buon modo per riflettere su cosa succede e perche`. Inoltre, cerchero` di aggiungere dei pezzi sulle “user generated” musalsalat che ho trovato online e che spesso sono di gran lunga piu interessanti di quelle prodotte per la TV.

 

“Ruwwad”, an ongoing dialogue with the community

Thanks to @fadig and @toosketch today I had the opportunity to visit Ruwwad, an NGO which is situated in a poor area of East Amman, mostly populated by Palestinians. I spent hours and hours sitting and talking with Samar, Fares, Tareq, together with Eman and Issa from the Jordan Open Source Association.

The key, simple concept they are working on is: don`t give money or education to people according to what you like and think, rather ask them what they want. And make it sustainable. Not money, but rather a mindset which helps to build up an individual, a free-thinker, maybe a self-entrepreneur. Ruwwad is the first NGO I`ve met in the Middle East who doesn`t work within a sort of “welfare” or “subsidizing” mentality. It rather establishes an ongoing contact with the community of the people living in Jebel Nathif and asks them what they would need to improve their lives. And this way they have built a secondary school, the post office, a library, a children workshop, a ceramics workshop, a computer lab, places where  an ongoing process of continuous education is happening.

I wish all the NGOs who got subsidized by Western countries would do the same. Listen to people and to their needs, instead of jumping there with a top-down approach.

 

La flotta della vergogna

Ieri non riuscivo a credere alle foto, ai video, alle parole che arrivavano da Internet. Devo dire che, stando in Siria e non guardando televisione occidentale, il mio principale mezzo per informarmi e` il web, e da un paio di giorni sul mio Twitter feed leggevo solo di questa #Flotilla o #FreedomFlotilla che tentava l`”arrembaggio” sulle coste di Gaza per portare aiuti a gente che vive in un ghetto. Conosco personalmente alcuni di quelli che facevano parte della #Flotilla, come la giornalista Angela Lano, da anni impegnata a fianco della Palestina con Infopal, e Manolo Luppicchini, che conosco dai tempi dell`universita` e che, da Genova 2001 a Gaza2009, e` stato sempre in prima fila, telecamera alla mano, e sempre pieno di coraggio.

Ieri sera, da Damasco, ho passato ore  d`angoscia con Lorenzo al telefono dalla manifestazione che c`e stata a Piazza Venezia, che mi aggiornava se si erano avute notizie di Angela e Manolo. Per ore i loro cellullari hanno squillato a vuoto, per ora abbiamo temuto il peggio. Per fortuna invece pare che stiano “bene”, l`ambasciatore li ha visti, sono trattenuti dalle autorita` ma in buone condizioni, pare. Hamdullilah, mi dico, meno male che Angela e Manolo ce l`hanno fatta. Ma la colpa di queste altre persone, morte in un`azione umanitaria, per portare aiuti a un popolo sotto assedio?

Non ci sono parole per quest`orrore e per l`arroganza con cui viene perpetrato da uno stato che ha ormai perso ogni parvenza di legittimita` e che mi pare duro chiamare “democrazia”.

Comunque..e` una cosa troppo grande, troppo grave quella che e` successa..e il mondo non sa che fare..il mondo arabo non sa che fare..Damasco ieri sera era sospesa in un`atmosfera ovattata fatta di televisori che vomitavano #Flottilla e bandiere del mondo intero, allineate in fila, pronte per la Coppa del Mondo di venerdi` 11 giugno che tutti aspettano con ansia e che questi nuovi eventi rischiano di “rovinare” in un Medio Oriente che non ha mai pace..

I social media e le elezioni libanesi

Ripubblico qui sotto l’articolo apparso giovedi scorso su Nova, il bel supplemento de Il Sole 24 ore dedicato all’innovazione e alla tecnologia.

Campagna online in Libano
di Donatella Della Ratta

Per chi segue i cinguettii della rete, @sharik961 è il Twitter da tenere d’occhio alle elezioni libanesi del 7 giugno. Sharik -”colui che partecipa”- insieme al prefisso del Libano -il 961- è l’invito lanciato da “un gruppo di persone che amano il Libano e la tecnologia”.

Appartenenze politiche diverse, ma desiderio comune di “supportare la trasparenza nella politica libanese”, una delle più complesse al mondo, retta da un sistema elettorale che rende conto delle confessioni religiose. Wissam Badine della EastlineMarketing, che si è occupata di social marketing per molti partiti libanesi, osserva che il Libano online è “lo specchio della geografia offline del territorio, diversificata e frammentata. Incasinata, ma ricca”.

Lo stesso vale per la geografia politica, con i due schieramenti sfidanti – “14 marzo” e “l’8 marzo” – che raggruppano trasversalmente l’uno i musulmani sunniti di Saad Hariri e la destra cristiana delle Forze libanesi; l’altro Hezbollah, i comunisti, e il resto dei cristiani. Internet -Facebook per primo- è il campo di battaglia di queste diversità. Gli spot più cliccati sono quelli delle fazioni avversarie: “I libanesi sono curiosi, vogliono informarsi.. senza il web sarebbe impensabile far arrivare un messaggio politico sulla pagina del “nemico”", sottolinea Badine.

Internet fa anche da collante: Twitter impazza fra i libanesi che, a colpi dei 140 caratteri via web, cominciano a incontrarsi davvero. Sana Tawileh dell’incubator KuvCapital racconta che il “cinguettio” della rete produce scambi di idee e iniziative per un Libano “di tutti”, oltre le appartenenze politico-religiose. Sharik961 va in questa direzione, chiamando a raccolta i cittadini reporter per contribuire al monitoraggio elettorale.

La mappa raccoglie e gestisce le segnalazioni degli utenti grazie alla piattaforma Ushahidi, creata nel 2008 da attivisti africani per monitorare le violenze postelettorali in Kenya. Un progetto open source che aggrega i feed provenienti da cellulari, email, web, posizionandoli sulla mappa in tempo reale. Al Jazeera l’ha adottato per la guerra di Gaza, Sharik961 si prepara ad usarlo per l’election day. E per formare nuovi giovani cittadini reporter Rootspace -ong membro di Sharik961- ha lanciato Sawt as Shabbab (“la voce dei giovani”), come usare il web 2.0 per fare attivismo. Mentre SMEX, altra ong che partecipa a Sharik961, promuove un training sul web 2.0 rivolto alle aree rurali, e in lingua araba.

Nonostante la diffusione di inglese e francese, è infatti l’arabo a impazzare nella campagna elettorale. Ma quello “da chat”, traslitterato in lettere latine affiancate dai numeri che rendono i diversi suoni. Quello “à la libanaise” di Yamli.com, motore di ricerca di Habib Haddad, la nuova generazione libanese appena incoronata dal World Economic Forum.

Wikipedia goes Creative Commons BY-SA!

After a consultation vote held in the past few weeks within its worlwide community, Wikipedia has finally voted in favour of publishing its content under the Creative Commons BY-SA license.

This is a great news that contributes even further to foster the cooperation among organisations as Free Software Foundation, Wikimedia Foundation and Creative Commons and to create a larger worldwide community who cares about knowledge sharing and culture. Mabrouk to everybody!

This is the press release coming from the Wikimedia Foundation:

May 21, 2009

San Francisco, California — Earlier today the Wikimedia Foundation Board of Trustees passed a resolution that will bring about significant changes to the way the content of the Wikimedia Foundation projects, including Wikipedia, will be licensed. This resolution follows a vote among the international Wikimedia community. More than 17,000 votes were cast, with strongest participation in English, German, French, Russian, Spanish, Polish, Italian, and Chinese. 88% of all voters who expressed an opinion supported the change.

All Wikimedia content can be used for any purpose, as long as proper credit is given and modifications are made available under the same terms. This open access approach to copyright is supported using a license which explicitly grants everyone those freedoms. The decision will result in all of the Wikimedia Foundation’s projects moving from the GNU Free Documentation License (GFDL) to the Creative Commons Attribution/Share-Alike License (CC-BY-SA) as their primary content license. The GFDL, which has served Wikipedia since its inception, will continue to be supported where possible, but not to the detriment of interoperability.

The licensing change means that all Wikimedia project content will be more interoperable with existing CC-BY-SA content and easier to re-use. “The volunteers who work on Wikimedia projects have very strongly supported making their contributions available under the Creative Commons Attribution/Share-Alike License (CC-BY-SA) in addition to the GNU Free Documentation License (GFDL),” said Wikimedia Foundation Board of Trustees Chair, Michael Snow. “Updating our license terms will support Wikimedia’s charitable mission, by making our projects legally compatible with others that have chosen the CC-BY-SA license. Our free information and educational content can be shared more readily and will be easier for everyone to use.”

Wikipedia has historically been licensed under the GNU Free Documentation License, which was developed for software documentation by the Free Software Foundation, a non-profit organization founded by Richard Stallman, with a worldwide mission to promote computer user freedom and to defend the rights of all free software users. At the time of Wikipedia’s inception in 2001, it was one of the few licenses available for works other than software which focused on granting freedoms to re-use and re-distribute information.

Since their creation in 2002, the Creative Commons licenses have provided a practical and simple means for authors to choose licenses that grant broader freedoms than publication under normal copyright. They have since seen strong adoption in science, education, photography, music, and many other areas. Major search engines, photo sharing sites like Flickr, universities, archives and libraries have all begun supporting the Creative Commons licensing model, and the idea of a culture which grants broad freedoms to remix and re-use information has become mainstream.

Lawrence Lessig, the founder of Creative Commons, offered the following comment on the announcement of the licensing decision: “Richard Stallman’s commitment to the cause of free culture has been an inspiration to us all. Assuring the interoperability of free culture is a critical step towards making this freedom work. The Wikipedia community is to be congratulated for its decision, and the Free Software Foundation thanked for its help. I am enormously happy about this decision.”

Because Wikipedia’s license was chosen by project founder Jimmy Wales when Creative Commons hadn’t yet been created, Wikipedia’s early commitment to free sharing and free re-use has actually worked against legal interoperability. Moreover, because the GNU FDL was designed for software documentation, some of its requirements (such as the requirement to include a copy of the license text with each copy) have encumbered re-use of Wikipedia content. The licensing update was possible because the Free Software Foundation agreed to modify the GNU Free Documentation License in November last year.

As the decision to re-license was approved by both the Wikimedia volunteer community and the Wikimedia Foundation Board of Trustees, the organization is now taking steps to update all its licensing terms through June. With the dual-license system in place, content can be be further re-used under either the GFDL or the CC-BY-SA license, but the GFDL will be dropped from content objects where this is necessary to support remixing it with existing CC-BY-SA content.

Royal Film Commission/Creative Commons workshop in Amman going great

I am currently out in Amman, fourth day of the online media creativity workshop, the join effort between Royal Film Commission of Jordan and Creative Commons.

The students are great, very active and creative and I think everybody is enjoying the training. Joi (Ito), CEO of Creative Commons, is teaching the students how to use online tools to create stuff and promote it. He has been a great teacher, full of passion and energy -as usual!-. Since he is also a great photographer, he has put a lot of nice pics on his Flickr photostream. He also wrote a very nice post on his blog and I’d love to thank him too, for all the energy he put in this and also for the fun we all had in the past days. Thanks also to the students, the SAE people and the great staff of Royal Film Commission, Mohannad and Nada that made this possible and Mais who is our angel..

For who’s interested to follow live we set up a blog and Twitter tagged with#rfconlinemedia.

RFCworkshoprfc2

Creative Commons super eight jingle!

Some very cool videos on Creative Commons coming from keydoppler, Italian remixer of old vintage super 8 family movies films..

About the Freedom Theatre in Palestine..

Republishing this coming from the Freedom Theatre info@thefreedomtheatre.org

بيان صحفي
Press Release

English follows Arabic

مسرح الحرية يتعرض للاعتداء

في صباح الخامس عشر من نيسان 2009 تعرض مسرح الحرية الواقع في قلب مخيم جنين لمحاولة إحراق على يد شخص مجهول الهوية. وقد احترق الباب الرئيسي للمسرح بشكل كامل، ولحسن الحظ لم تمتد ألسنة النيران إلى داخل مبنى المسرح، فلم يصبه أي ضرر أو خراب.

كانت تلك هي المحاولة الثانية لإحراق المسرح، ففي نفس الليلة التي أُحرق فيها معهد الكمنجاتي للموسيقى في جنين بشكل تام قبل ثلاثة أسابيع، جرت المحاولة الأولى الفاشلة لإحراق وتدمير مسرح الحرية.

تم إبلاغ الشرطة الفلسطينية على الفور بمحاولة الإحراق الأولى للمسرح، ولكن حتى اليوم لم تسفر تحقيقات الشرطة عن شيء البتة. تبرهن هذه المحاولة المتكررة بشكل واضح أن مسرح الحرية لا يزال بلا حماية وسوف يكون عرضة لمزيد من محاولات التدمير في المستقبل القريب إن لم تتخذ التدابير اللازمة لحمايته.

إننا نناشدكم اليوم وندعو أصحاب الضمائر الحية وكل من يؤمن أن مستقبل فلسطين يكمن في ثقافتها، أن يرفعوا  أصواتهم عاليا وان يقفوا إلى جانب مسرح الحرية في وجه هذه المحاولات الهمجية التي تريد النيل من مستقبل الشعب الفلسطيني برمته.

ونطالب السلطة الوطنية الفلسطينية، أن تقوم بكل ما في وسعها للنيل من أولئك المجرمين وتقديمهم للعدالة وإنقاذ نضال الشعب الفلسطيني من اجل التحرر، من قتامه وسواد أيام مقبلة. 

تطور مسرح الحرية وأحرز نجاحات باهرة في منطقة جنين. زار المسرح في العام الماضي أكثر من 16,000 من الفتيان والفتيات والكبار وشاركوا في أنشطتنا، والتي كان آخرها “مزرعة الحيوانات” التي لقت نجاحا باهرا وترحيبا من قبل الجمهور الذي توافد بالآلاف من جميع أنحاء منطقة جنين إلى المسرح.

لا تسمحوا لهم بتدمير مسرح الحرية


The Freedom Theatre Under Attack!


On the morning of April 15, 2009, an unknown individual set fire to The Freedom Theatre in Jenin Refugee Camp, Occupied Palestine. The main door of the theatre was completely burned, but the fire did not spread inside the building and the theatre remains largely unharmed.

This was the second attempt to burn the theatre. On the night when Al Kamandjati Music Centre in Jenin was devastatingly set on fire three weeks ago, there was also a first failed attempt to destroy The Freedom Theatre.

The Palestinian Police was immediately informed of the initial attempt to burn the theatre, but to date nothing has come out of the police investigation. This renewed attempt confirms that the theatre remains unprotected and a target for more attacks in the near future.

We are therefore calling upon all of You, who believe the future of Palestine lies in its culture, to raise your voices and stand beside us to confront these barbaric acts against the future of the Palestinian people.

We are calling upon the Palestinian Authority to do whatever in its power to bring these criminals to justice and to save the Palestinian liberation struggle from ever darkening days.

The Freedom Theatre has grown to be very successful in the Jenin area. In the past year more than 16,000 boys, girls and adults visited the theatre and took part in our activities, and the recent theatre production of “Animal Farm” was a great success, bringing thousands of youth from the whole Jenin district to the theatre.

Palestinesi d’Italia in solidarietà con le vittime del terremoto in Abruzzo

Ricevo e ripubblico questo appello in solidarietà con le vittime del terremoto che ha drammaticamente colpito l’Abruzzo..Non solo Obama è solidale con l’Italia, anche i nostri palestinesi. Grazie..

SIAMO TUTTI ABRUZZESI

Cari colleghi, medici palestinesi ed arabi d’Italia, In riferimento al grave terremoto che ha colpito l’Aquila e Provincia, vi scrivo a nome della Mezza Luna Rossa Palestinese in Italia, per esprimere la nostra più sentita vicinanza e solidarietà alla popolazione abruzzese e all’intera Italia in questo momento difficile, e per rilevare eventuali disponibilità da parte di tutti noi, a prestare soccorso e sostegno alla popolazione colpita ed ai nostri colleghi abruzzesi che ne avessero bisogno. Siamo in contatto con i nostri sindacati medici, con la CRI e le autorità competenti, per l’organizzazione logistica nel caso ce ne fosse bisogno. Pertanto invito tutti, in caso di disponibilità ad inviarmi un messaggio telefonico o E-mail, dove sarete contattati in caso di necessità. Vi ringrazio in anticipo e vi saluto cordialmente.

Dr. Yousef Salman Delegato della Mezza Luna Rossa Palestinese in Italia

http:/www.palestinercs.org

Al Jazeera, soap opera arabe e Obama al Festival del Cinema Africano di Milano

Per chi di voi si trova in zona Milano, ci sono una serie di appuntamenti “arabi” che vorrei segnalare.

Intanto la 19esima edizione del Festival del Cinema Africano di Milano (23-29 marzo) che inizia oggi. Quest’anno il lavoro fatto da Alessandra Speciale e Annamaria Gallone, direttrici del Festival, è veramente eccezionale, considerando i tempi cupi che stiamo attraversando in Italia, in termini sia di finanziamenti alla cultura che di sensibilità verso le culture “altre”. Il programma è ricchissimo: http://www.festivalcinemaafricano.org/.

Mohamed Challouf ha invece curato, sempre all’interno del Festival, una sezione dedicata ad “Al Jazeera, l’occhio arabo sul mondo” che comprende la proiezione di preziosi documentari e programmi della rete del Qatar.  La sezione ospiterà inoltre una tavola rotonda, curata sempre da Mohamed, alle ore 17 di giovedi 26 marzo presso lo spazio Oberdan, alla quale partecipa anche Ahmad Mahfouz , il direttore del Documentary Channel di Al Jazeera.

moakis

Inoltre, verrà proiettata per la prima volta in Italia la soap opera di produzione giordana Al Ijtiyah (l’Invasione) vincitrice dell’Emmy Award 2008.

a-seen-from-alijtyah

Sabato 28, sempre all’interno del Festival, presentiamo il nostro libro su Obama:


Sabato 28 marzo – ore 17.00 Libreria FNAC Milano


In occasione della sezione tematica su Al Jazeera, il Festival del Cinema Africano di Milano presenta il libro


“Un Hussein alla Casa Bianca. Cosa pensa il mondo arabo di Barack Obama” (Odoya, 2009)

a cura di Donatella Della Ratta e Augusto Valeriani.


Obama ha passato l’infanzia in un paese musulmano, l’Indonesia, e il suo secondo nome è un nome arabo, Hussein. Può il nuovo presidente americano rappresentare l’interlocutore giusto per il Medio Oriente? Su questo gli arabi e i loro media, dai blog ad Al Jazeera, si interrogano in questi mesi. Gli autori del libro analizzano i media arabi, raccolgono le opinioni di giornalisti, studiosi, uomini d’affari e persone comuni in Medio Oriente e in Usa, offrendoci una prospettiva sui futuri rapporti tra Stati Uniti e mondo arabo.

Alla presenza degli autori e di Khaled Fouad Allam, sociologo e autore dell’introduzione del libro.

obama

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